Other Gardens

See you in Cannon Beach (Oregon) on May 7!

If I had not run out of chapters in my book Gardens of Awe and Folly  I would have taken the extra pages to give you all a tour of some of my favorite every day Secret Gardens, like the one my neighbor Joanne has in her back yard:

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This (above) is the entrance to the Secret Garden belonging to one of the most excellent Chilled Wine Cocktail On The Patio Hostesses I know.  Step into that wooden archway entrance gate (below) , and you are treated to a more complete view of the pathway that leads to Joanne’s hide-away around the corner (that you can’t see in this pic because it’s secret):

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Well, it’s a GOOD THING I am an illustrator and in possession of an Artistic License so that when I take my pencil and draw this illustration, I can give you both of these views at once:

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Next, I apply masking fluid with a tooth pick (because I need a really fine line):

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To start, we have to lay in some sunlight, which I will let dry before I go to the ext step:

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Since I’ll be working from the back to the front of this illustration, the next thing I do is lay in background foliage:

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All I do is dab dab dab the lightest shades of green, quickly, while everything is still wet:

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And now the plot thickens.

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I’m putting in a light green wash on the left side here because as you saw in the reference photo, this is where all the shade is:

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Dab dab dab in some nice rich greens, and then I’m done mapping out the brights and darks of this illustration:

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BTW, I really like what happened up there, when I dab dab dabbed wet-in-wet and got some nice blotches that could very well stand as is and look totally convincing as foliage. But I don’t spend much time pondering this because I can’t wait to get a move-on because . . .

. . .I  LOVE THIS PART! This is the part where I add more detail to the background:

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Oh, I love dab dab dabbing with my size-00 brush!

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And now I start adding detail to the front-ground, over-painting the wash with dark leaf-shaped flicks of my 01 brush:

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I paint bigger leaves with a fatter brush, whose size I don’t know:

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And then I work the middle-ground:

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Something tells me that I could stop here . . .

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. . . I could stop here, call it DONE, and let those nice watercolor blotches do their job, but noooooooooo,  an evil little voice urges me to go on, put in some really really dark, dark background:

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More is More is what that evil little voice is telling me:

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Time to get out the 00 brush again and make some tree branches out of all that brightness in the background:

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Let’s take a look before we remove the masking fluid:

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I hate to say it, but I’m starting to doubt that really dark background. And I’m getting a bad feeling about that bench and lantern. Where O Where is that voice that should be telling me  Quit While You’re Ahead?

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But there is only silence as I plod on anyway and sure enough, I paint over those wonderful blotches that I liked so much:

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And oh well, I guess it’s DONE:

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WHAT WENT WRONG: Yeah, the lantern looks wonky, and the bench doesn’t make sense —  I made a bad choice when I included them in the pic. Also, I don’t “get” the wooden gateway either; it’s almost invisible, lost in the more and more of the foliage. Well, it’s a good thing that I work small, so the fix-up shouldn’t be all that hard.

CAN THIS PICTURE BE SAVED?

This is it BEFORE:

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And this is it AFTER:

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Hmmmmm, I dare say that, in the end, I saved this pic, and if you had not seen the BEFORE maybe you wouldn’t even notice the heavy-handed layer of paint on the left side. But alas, we are wise to the muddle and in our heart of hearts we all know that it was a better picture when it was “half” DONE.

My Dear Readers, this is what a bad day at the office looks like to me: I spend approx. 5 hours working on this picture, for a chapter that never makes it into the GoAaF, which even if such a chapter existed I would not (probably not, depends on how tired I am by deadline time) would not use this illustration for anyway.

Well, I don’t know what would you do after such a bad day at the office, but here’s what I do to end the day on a sweet note:

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A little champagne, a blue jay feather, and the company of a cat — that’s all it takes to make it a perfect day in VivianWorld.

Have a great weekend, my Wonder Ones.

 

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 Yes, I have no bananas, I have no bananas today, neither on my word-writin’ desk:

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(Everybody say Oooooooooooooo)…and neither on my picture-making desk:

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(Everybody say Ahhhhhhhhhhhhhh). As clear as my desks are is as clear as my mind is. Nary a banana in sight. I am still getting used to the feeling of having no bananas, but all I can say is, I’ve never liked bananas and I can’t even stand the smell of bananas and I will gladly spend the rest of my life never eating bananas, so I am indescribably happy that I have not one, none, zip, zilch, no bananas today. Or ever!!

OK, enough with the banana metaphor. But everything I said holds true for real bananas. Simply can’t stand them.

I think I might have shown my Dear Readers the cover of the Chinese language version of my last book, Le Road Trip, when it came out in 2014:

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WELL. Yesterday I got a surprise packet in the mail, from my publishers at Bloomsbury, that contained a dozen copies of ANOTHER Chinese language version of Le Road Trip:

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I think this cover is very jaunty, in that I love the design but I am puzzled by the images that were selected to go on the cover. I mean, except for the wine glass, and the rather fetching self-portrait of me and Top Cat, do any of these images scream “FRANCE” to you? Yeah, me neither.

I am also curious as to why there is a new Chinese language version, because there was no note or letter enclosed with these copies. But that’s just par for the course.

Here is where I tell you all another insider anecdote about publishing: in finalizing the business stuff of the Damn Garden Book last month — LAST MONTH — I happened to notice a quirk in the paperwork that led me to ask of my publisher, “Where’s the copyright to Le Road Trip?”  Ha ha ha hahahahaha. Turns out that Bloomsbury, who published Le Road Trip on 2012, had never secured the copyright!!! OH, my, how I laughed and laughed at this delightful breech breach of contract! Yes indeed, I am exactly the kind of easy going, week-end, hobbyist for fun, trust-fund writer who would find this terribly, terribly amusing.

Actually, I was pissed. Capital P PISSED. But my agent explained to me that publishers were stretched very thin these days, being as print is a dying business, and it’s perfectly understandable that they would overlook such a minor detail as securing a copyright, which is just one of those pesky little things for which I give them 88% of every dollar earned from sales of Le Road Trip. What merriment, to know that I am part of an industry where such minor things as copyrights are, you know, just one of those things that people are too busy to deal with.

Oh well. The copyright to Le Road Trip is now done and got. And the Damn Garden Book is copyrighted as well, by the same people who send me Chinese language books with no update on what the hell is going on in China vis-a-vis a traveler’s journal of love and France.

Inhale, exhale. Peace unto me, Ommmmm, Om mani padme hum, as they say. As a matter of fact, when I want to get Zen here on the north shore of Long Island Sound I have just the place to go to and it’s not more than 4 miles from my house:

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This, my darlings, is the labyrinth on the campus of C.W.Post college, made by students of the ceramics studio and installed sometime this century. I’m fuzzy on the details. Top Cat and I went there last night at the golden hour of 6:30 PM.

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As you can see, walking the labyrinth at C.W.Post of a Summer evening is just about the most soothing venture there is, of a Summer evening. Ahhhhhhhh….the grounds are ever so serene:

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And if you stroll down towards the horizon, lo and behold you come across a sunken garden…

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…the likes of which are rarely seen outside of an Elizabethan courtyard:

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Actually, many of the administration buildings of C.W.Post were built at the last turn of the century in painstaking imitation of Elizabethan structures (I hope I took pix of those structures that surround this adorable sunken knot garden):

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In case you do not know, you can click on any image on this post and you will get a full-scale version (instead of these annoying tiny snaps)…

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…and if you don’t get it at one click, just click again for the enlargement (this is for my Ma, who needs instructions in blog technology).

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The finest thing about this sunken know garden is that, when you exit, you cross a brook with a small half-half-half moon bridge…

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…which you might not notice has a weird box-like thing on raised feet (see foreground, left, above) which, I am happy to report, is a Winter shelter for the wandering campus CATS. I know!! How much do you love a college that cares for its feral felines in such a loving manner??? A lot a lot a lot a lot a lot a lot….

Further along the path, we cross the half-half-half moon bridge and espy yet more feline lodgings:

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I zoomed to make sure yo wouldn’t miss it:

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By the way, on your exit you must take a moment to behold the century-old Elm Tree that still thrives on the campus of C.W.Post:

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That is one majestic, nobel, historic, monumental tree. This is the kind of Elm we lost to the Dutch Elm Disease blight of the last century, when America lost 75% of our 77 million Elm Trees from New England to Minnesota.

But I did not bring you to this garden just to show you how the evening light gilds every leaf it touches yadda yadda yadda. As much as I love the effect of evening gamma rays alighting upon topiary, this is not a garden that I can paint…as is, that is. This is the June Eve shot:

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And this is the June Rainy Afternoon shot:

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Same place, different atmospheric conditions. I don’t think I have to explain how the cloudy, dim light illuminates shapes and structures so much better than the clear romantic light of vespers. Here are more rainy day shots of the same sunken know garden:

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If i were to paint this lovely sunken knot garden for your viewing pleasure, I would take the rainy day pix and, with my artistic license, add just a touch of June Vesper to make it glow just a tad. I mean, my desks look awfully lonely, and I don’t want to get out of practice, and I haven’t had a Work of Art Give Away for my darling readers this whole year…

…this won’t be a Triscuit. This will be more like a piece of Arnold Whole Grain slice of bread toast. If anybody is interested in watching me paint this C.W.Post sunken knot garden, please meet me back here next Friday.

No bananas will be eligible to win next week’s Toast Give Away.

Have a great weekend, Dear Readers.

 

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