It’s True. I Paint Like a Writer.

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Yes, we will be painting together in this post just like olde tymes.

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This is my first try at painting the Chelsea Physic Garden deep in the heart of London. Yeah, it stinks. Those buildings do NOT look like multi-million dollar Victorian townhouses that comprise one of the UK’s most posh neighborhoods.

 

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This is attempt No. 2, where you can see how I tried to be more “impressionistic” with the buildings in the background. Yeah, this stinks too. But I was hoping the flowers in the foreground would save me. They didn’t.

For the record, both these paintings STINK.

And then, I suddenly remembered that I’d already solved this problem once before in my ow Damn Garden Book:

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This is the title page for the Edinburgh chapter. Note the city skyline in the background. Duh.

So I sketched out the buildings that surround the Chelsea Physic Garden in London…

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The next several pictures will be of my renewed attempt to paint the Chelsea Physic Garden but I’ll tell you right now (spoiler alert) that it doesn’t turn out right:

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I like the white space here. I’m going to work with this look later.

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I call this Failure No. 3

Unfortunately, this (see above) is not how the Chelsea Physic Garden is laid out. Those of you who have been to this lovely 4-acre walled garden founded in 1673 by the Worshipful Society of Apothecaries as a teaching garden where medicinal plants were cultivated will know that I’m trying to paint the quadrant known as the Systematic Order Beds, which actually look more like this:

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I call this Failure No. 4

There still isn’t something quite right. So let’s have one more go at it:

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Failure No. 5

BUT AT LAST!!!!  Ifinally got the Chelsea Physic Garden that I wanted. This picture (below) only took about four hours to paint, not counting the four previous attempts that cost me about 20 hours of my life. Fact is, I’m a better miniaturist when it comes to painting gardens…

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I prefer to tell visual stories in little bits at a time…

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Writing and painting are similar in that to get anything done, you have to be very sensitive to your shortcomings and avoid any picture or paragraph that lets those shortcomings hang out. By painting or writing to your strong points, you develop a style that is uniquely your own. The next series of pictures is of me painting a typical London view, but painting it in a way that highlights my strong points (and hides my weaknesses). Notice how I work front-to-back in this one:

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By the way, I later added people walking on the sidewalk to give a sense of scale. This is the actual view from my friend Wendy’s brother’s flat in Knightsbridge:

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Since I already know that I can’t paint architecture, I’m going to leave those buildings white. Voila: a style.

This tactic seems to work well for London…I wonder how it will work for Giverny? Because I have my heart set on painting this view:

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Ahhhh…the “paintbox” flower beds.

It might even be my nxst Triscuit. Which reminds me! We have a Triscuit to give away!! 

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WOW! I had to ask Top Cat to pick a number between 1 and 56…56!!!  Your Comments were just great last week and I’m still re-reading them  (a Van Gogh Triscuit must be in my future) so thank you, thank you, thank you to all who left a word or two. And just to show you how unpredictable Top Cat can be, when I asked him to chose that number of which he had 56 to choose from, he chose…Number One. So this Monet Triscuit goes to Carol Wall of Vancouver! (Carol please send me your mailing info to vivianswift at yahoo before this Comment section closes at midnight Tuesday, July 2/3!!)

Next week, we head out on another road trip. We’re going to see this garden:

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It’s time to go to Marrakech!