Dancing in the Streets

Yes, that’s me, trying to paint New Orleans. It was not a happy experience.
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But first — Cat News!! There has been a  recent appearance of a possible new member of our herd of backyard cats:

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This handsome fella has  shown up on the back patio for breakfast a few days this past week in spite of the fact that Bibs and Taffy get all North Korean on his ass every time they see him. I call him Newton. Hey Newton, if you’re reading this, I got some cat nip just for you (at the end of a Have-A-Heart trap).

Now, what is this I hear  (from Rachel and Sarahsbooks in Comments to last week’s post) about The Bed-book of Travel???

First of all, I thought I had written the bed-book of travel…

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…to be put bed-side for excellent late-night reading.

But it seems that somebody else, namely Richardson Wright, beat me to it in the 1930s:

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The Bed-book of Travel is a collection of short pieces to be read (preferably in bed or berth) by those who have been places, those who are going somewhere, and those who have wanted to go; Together with seven travelers’ tales. This book is now very rare and the one copy I found on-line last week for sale for $70 is already gone. I snoozed and loosed because I spent a few days mulling over this purchase, wondering if I really wanted to read this book seeing as how, if it turned out to be soooooo much better a bed-side travel book than mine, I will want to quit writing/illustrating bed-side books forever.

But the book that I really dread reading is this one:

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This is Richardson Wright’s 1929 Bed-book  about gardening (in paperback re-print from The Modern Library) which I  am awaiting delivery of, and if it’s half as good as its reviews say it is I AM TOAST. And not a nice slice of hot-buttered whole wheat served with a steaming cup of Assam tea kind of toast, nope. I mean a hunk of cardboard-like salt-free rancid Melba that’s been sitting in the cupboard leaning on the stack of Size D batteries waiting for cassette playing boom boxes to come back in style  kind of toast.

I wanted my Damn Garden Book to be THE go-to gardening book for reading in bed…but if it’s already been done I might as well retire my paintbrushes and take up something useful.

Useful, like dancing all day in the French Quarter with my own dear Top Cat.

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Ah, Love of my Life, nobody does a Grateful Dead-inspired free-form solo version of  Zydeco Swing  like you:

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Well, seeing as how I am not yet a reclusive former bed-side travel / gardening book writer  illustrator, I better get with the travel / gardening book illustrating. It’s time to do New Orleans!

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This is the pencil sketch for the full-page illustration that will start the NOLA chapter. It is designed so I can drop text into the middle of it. It is rare (never) that I use a ruler to draw a scene but in this case it was unavoidable with all those necessary straight lines of wrought iron railings and all those pesky perspective lines to get right. To answer Laura’s question from last week, I never attempt to erase pencil lines once I’ve put watercolor over them. It’s impossible to erase thru the pigment. Most times, tho, I don’t mind seeing a little bit of pencil in a painting because it is a ver authentic part of painting.

When it comes to erasing the watercolor, however, I have been known to use a nail file to clean up very small bits.

First, I painted in a quick bit of background architecture in pale blue, to represent a white building in bright sunlight (which will become more evident later in the painting):

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Dab in the background greenery:

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Working wet-in-wet I dab in the pale greens and add detail until I like the shape of the foliage:

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Commentor Judy Jennings asked about getting “natural” shades of green. To tell you the truth, all my greens are unnatural in that I edit nature all the time. My shades and hues are mostly close to the scene that I’ve observed, but if I need to lighten bits up and darken others for the sake of the picture, I do it. I also edit the shape of foliage all the time — see above. I make it a pleasing shape for my composition first, and true to nature second.

My biggest guess regarding Judy’s question about getting a “natural” paint color is that you must always keep your water CLEAN. I constantly dump out my water and get clean fresh stuff. Especially if I am going to mix yellows into green I always get a brand new glass of water. And if I have to work wet-in-wet with lots of yellows AND greens I have two glasses of water handy, one for rinsing the yellow brush-fulls and one for rinsing the green brush-fulls.

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For shadows I use blue with a bit of burnt umber mixed in it instead of black or grey:

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Now I use masking fluid to cover the table and chairs so I can cut loose with the stuff I want to paint behind them:

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While waiting for the masking fluid to become bone-dry, I do the middle-ground stuff:

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I pretend the table and chairs aren’t there and paint the railing-drapping greenery right over the masking fluid:

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I could never do this without masking fluid. Well, I could, but it would either look bad or would take me forever to paint:

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Fore ground:

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Peel off masking fluid, paint what is revealed underneath:

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Even down to the stems of the wine glasses, which I measured or you and are three millimeters high:

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Take a look, and add whatever else this picture needs:

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Not there yet::

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THERE:

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I Hate It. This will definitely require a re-do!!

So now I’m off for two weeks in France: Paris and Giverny; then to Marrakech to see the Majorelle Garden. To give you a preview of the two posts that I have for you in the queue, next week we will see how I manage to paint four really, really, really, really hidious stoooopid pictures of my New Orleans Fragrance Garden…

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…before I happily get it right finally (no, that’s not it above — this picture above stinks!!!!) ; and then the week after that I give you a tour of the knicks and knacks of my workspace:

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I will have my iPad with me in France etc. and Carol of  the highly chic, fabulously popular  Paris Breakfast blog is going to show me how to post from any cafe … so I might be able to send you all a few pictures and a quick update while I’m on the road.

How much you want to bet that what I post will be photos of great French cats?

P.S. Comments on this post will close after five days (nothing personal; it’s the spam, and closing Comments after five days keeps the spam to a manageable level of about 3,000 messages per week).

 

Next time we meet, one of us will be in Paris!!