lay-out hints

 

 

 

 

 

 

Thank you, Dear Readers, for your condolences last week regarding the loss of my BFF. It’s still hard to understand that I will never see her again, or that we’ll ever get together again to kill a bottle of pinot on a Sunday afternoon, or head to our fave Japanese restaurant in the middle of the week for our fave spicy tuna sandwiches and mean girl chit chat, etc. After I published my last book and was feeling very bored with life and myself, it was Renee’s idea that we enroll at the local community college for ASL classes, and then it was her idea that we take over the second hand book store for the local library and raise a ton of money. I can’t stand ballet, but I’d listen to her go into raptures about her latest outings at the ABT, and she wasn’t into K-Pop but she’d hear me out on why BTS deserved to be my Korean husbands. She was a great BFF. The fact that she is gone from my life forever takes my breath away.

Ah well. There is no escaping the pain of life. The best we can do is not let it drive us crazy, right?

And this week, my gift from the universe was this sweet girl:

This is Juno, who lives with Dear Reader Gali in Massachusetts, who hosted the Scottish Stromness Rock on the beginning of its 8,000-mile journey around the United States and showed off the sights of the birthplace of the American Revolution (1776 version).

If ever there was a week then I needed to spend time with a Golden Retriever, it was this week.

I am glad that she is the final Stromness Pet Portrait because it will take all the technical expertise I have amassed during this project for me to paint her. Not because she poses any particular compositional of painterly challenge. It’s because she’s a Golden Retriever. It’s like trying to paint Jesus. If you now what I mean.

For my Golden Retriever Hue, I began mixing paints with a base of Chinese White (for technical reasons — because it makes it easier to manipulate the paint with a Chinese White base, not because I needed that white)and added several browns and yellows to match Juno’s golden-cinnamon color:

Eyes first,as usual:

I think it’s funny to have a pair of eyes popping out of a blank shet of paper.

These were the most complicated eyes I have painted so far:

Juno appears to be wearing eye-liner, and I have to get it j u s t r i g h t.

And now for the boopable nose:

 

 

 

 

I am fond of bleeds:

 

 

 

 

And here is where I had to stop, because I ran out of time. This is by far the most painstaking pet portrait I have done yet, and I don’t want to push it. I will continue to paint this tomorrow, when I am re-freshed and can get all of Juno’s nuances.

Also because I haven’t got her quite right yet, and I have some tweaking to do. Rescues are my super power, though, so we’ll be back next week with a “Wrong Juno And How I Made It Right” 100% Juno portrait.

Until then, let’s take a look back at this past week, and marvel how we all managed to live through it.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

P.S. I looked this (above) up. It actually says that women should be quiet IN CHURCH. That’s all. It’s OK to raise hell everywhere else.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Have a great weekend, Dear Ones. It’s only 18 more days, not even three weeks, until all this will be over. Imagine how the whole world will celebrate when Trump gets slaughtered in 50 states and the Republicans are returned to their rightful status as the minority party in the Senate on Nov. 3, oh, just imagine that, and be happy. The world will break your heart in a thousand ways every day, but not on November 3, no.

(James Carville was the political strategist who engineered Bill Clinton’s 1992 and 1996 victories, so he knows. He KNOWS.)

I only have three more times that I can say this about a President who is not a lame duck:

Fuck Trump.

 

 

 

 

 

 

 

 

 

 

 

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Because a dear reader asked me, I am going to show you what a Work In Progress looks like:

This is my Damn France Book in progress: a file folder for each chapter plus a few more for misc. notes about France and travel and publisher business stuff that I need to keep track of.  My spiffy Reebok shoe box lets me keep all that flotsam in one, portable place.

This week I’ve been working on the Normandy chapter (green folder, because Normandy is a very lush, green province) and today the WIP (Work In Progress) is opened to the pages where Top Cat and I are taking leave of Omaha Beach and catching a train to a little town called Pontorson:

This is how I block out art work and text. I would like to break up the text into interesting bits, instead of simply left to right wrap around.

This is what I do for every page. Every single page.

I used to wonder why it takes me three years to write a book.  I think I just answered my question.

 

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